Community Rejuvenation Project Re-Launches Website

PLEASE NOTE, THE COMMUNITY REJUVENATION PROJECT WEBSITE HAS MOVED TO A NEW PLATFORM! FOR THE LATEST UPDATES ON CRP, PLEASE VISIT www.CRPBayArea.org.

(Oakland, CA) – Oakland-based muralist collective Community Rejuvenation Project (CRP) today announced the roll-out of its newly revised, revamped and significantly upgraded website, www.CRPBayArea.org. Designed by Adriel Luis of Drzzl.com, the new site boasts a new look which is less-cluttered and more user-friendly, while adding much more content overall.

“It’s a brand new day for CRP. We’ve got this new thing and it’s gonna be fly,” said CRP founder and Director Desi WOME. Not only does the streamlined look reflect the professional and institutional growth of CRP since its inception in 2007, but “We answer all your questions about who CRP is, and what we do,” Desi explained.

“The new website makes it much easier to tap into CRP and get involved with programming and events. This will help us grow our community base even more. People and organizations can now plug in at every level, from pavement to policy, and be a part of what we’re building,” he added.

New features include:

• New staff and artist bios
• Featured artist section—highlights a CRP artist
• Easy-to-access pull-down windows for CRP services—mural tours, workshops, community clean-up, live painting, consulting, etc.
• New galleries, including a compilation of murals painted over the last five years which detail CRP’s breadth of scope, range of expression, and artistic and personal growth
• Descriptions of current and past campaigns, with photo illustrations
• New blog updates and Op-Eds
• Sponsorship opportunities and donation levels
• Policy statements—outlines CRPs position on such issues as abatement and public art

Designer Luis “took a personal interest in the site and CRP’s work, and worked with us throughout the long and arduous process of giving the entire website an image makeover, as well as shifting the platform from Blogspot to WordPress,” Desi noted. The more sophisticated platform, he said, allows the website to be more than a blog and to maintain a professional appearance while providing an overview of CRP’s past and present endeavors.

The new website also marks the official debut of CRP’s new logo, which has already made some cameo appearances on a wall near you. Get used to seeing a lot more of this logo, which is going to figure prominently in CRP’s expanded merchandise line -- coming Spring 2013!

For more information, visit www.CRPBayArea.org.

Redevelopment Cuts Point to Growing Need for Comprehensive Abatement Strategy

Redevelopment Cuts Point to Growing Need for Comprehensive Abatement Strategy

CRP's massive Peace and Dignity mural was a commission through Oakland's Redevelopment Agency. Photo by Eric Arnold. CRP would like to extend its sincerest appreciation to the city of Oakland for attempting to address blight in East Oakland and involve talented artists such as Dan Fontes, the Estria Foundation and our organization. However, Governor Jerry Brown’s decision to cut state redevelopment agencies, thereby throwing cities all over California into limbo, has left these projects with an uncertain future at best. Even more tragic is the fact these mural projects had run the gauntlet of bureaucratic red tape; they awaited only City Council approval when they were cut. But if new funding isn’t identified and earmarked, these projects will simply disappear, as if they never existed.

North and South unites on the corners of 41st and International. This project was funded by the Oakland's Redevelopment Agency. Photo by Eric Arnold. These projects represented game-changers for East Oakland, a historically underdeveloped district which has remained an eyesore as other commercial districts have been built up. Abandoning them sends a clear message that the much-ballyhooed Oakland renaissance isn’t for all of its city’s residents. During his eight years as Oakland mayor, Brown’s 10k plan highlighted the gentrification of Uptown, funneling millions of dollars in redevelopment monies to an emerging district, at the expense of other parts of Oakland. Public art projects in and around Uptown were funded to the tune of several hundred thousand dollars, even as art programs were slashed in the city’s less-tony areas.

In the short term, this plan benefitted developers while falling short of initial occupancy projections. In the long-term, it helped generate political momentum for Brown’s eventual runs for state Attorney General and ultimately, Governor. It is the deepest and most bitter irony that a politician whose career benefitted so much from redevelopment funding would then seek to cut those funds for the city whose well-being he once was accountable. This is the situation we find ourselves in today. The problem with this approach is, if you take away the funding, you still have done nothing to alleviate the underlying issue. Thusfar, the City of Oakland has made no provision for alternate funding for these critical public art programs. These cuts are especially cruel because the area in which the murals were slated to be painted in—colloquially referred to as “Deep East Oakland”—has a dire need for rejuvenatory art. The area between Hegenberger and 106th Ave. is a high-blight, high-crime area plagued by prostitution and drug use. The area between Hegenberger and 23rd Ave is almost as bad. Without effective blight reduction, the issues facing both areas will likely worsen.

Current abatement measures and policy have proven ineffective and failed to improve the aesthetics in neglected Oakland communities. Photo by Desi W.O.M.E Blight continues to be an ongoing problem, especially since the foreclosure crisis continues to take its toll on homeowners. Oakland, whose foreclosure rate in 2011 was more than double the national average, has been among one of the most impacted cities in California; East Oakland in particular has been one of the most affected regions in the city by the housing crisis. Current abatement measures, such as the graffiti abatement squad, are inefficient at best. Buffing walls is a temporary fix: It doesn’t deter vandalism recidivism, is aesthetically unattractive, and requires frequent and regular maintenance. It's also cost-inefficient.

CRP's recent mural on 30th and West was commissioned by a property owner looking for a permanent solution to the reoccurring vandalism on his property. Photo by Eric Arnold. Community murals, on the other hand, are not just pretty public art projects but part of an effective blight reduction/community development strategy. Besides offering an attractive visual picture, murals prevent property values from dropping, by as much as 15-20%, and are an effective deterrent to tagging and other blight-related crimes, such as drug use, vandalism, squatting, and prostitution.They are also more cost-efficient than current abatement programs and require less maintenance over time.

CRP's "Sacred Seeds" mural brings new life to a long dilapidated building on Stanford Ave. Photo by Mike 360. What is needed for the future of Oakland is a long-term funding for a year-round mural program as part of integrated abatement/blight reduction/youth development/health index initiative. Such a program could be run at a fraction of the cost of current programs with more effective, comprehensive, and holistic outcomes. The two main departments which are stakeholders in this effort are Building Services and Department of Public Works. Other possible stakeholders include Cultural Arts Department, Measure Y, and City Council Districts 5, 6 & 7.

It is in the best interest of all stakeholders to work together to come up with a long-term solution to the ongoing problem of blight and abatement. Failure to do so can only drag our city down back into the depths from which it has struggled so mightily to emerge from.

For more information about CRP, interviews with CRP artists, or sample images for media usage, contact Desi at CRPBayArea@gmail.com or (510) 269-7840.

CRP x People’s Grocery: Chestnut Green Corridor Project Grand Opening Block Party

This past weekend, the Community Rejuvenation Project (CRP) was honored to be a part of the Chestnut Green Corridor Project, a community initiative of the People’s Grocery. The project symbolizes what can happen when sustainable, healthy living meets food justice, and is emblematic of the positive community spirit happening in West Oakland these days – which is too often overshadowed by negative perceptions.

Situated at 35^th and Chestnut streets, the Chestnut Green Corridor Project includes a series of sidewalk planters, intended to “green up” the block, raise residents’ self-esteem, and deter illegal dumping which often results in blight. Alongside the planters, CRP was commissioned to paint a series of portraits of sevenhistoric, inspirational civil rights leaders: Dr Martin Luther King, Jr., Huey P. Newton, Mother Wright, C.L. Dellums, Paul Robeson, Ella Baker, and Harriet Tubman.

The Chestnut Green Corridor is adjacent to the California Hotel, a historic building home to many African American and Latino residents, which has also been the site of Peoples Grocery’s Urban Farm and gardens for the last three years. Community residents, together with housing-rights organization Causa Justa/Just Cause, fought and won the battle to keep the building’s doors open and prevent the displacement of its residents.

On Sunday, April 29, People’s Grocery hosted a community block party and spring plant sale which made full use of the Chestnut Green Corridor. Deejay Lady Ryan played sweet tunes all afternoon, as healthy food was provided by local vendors. Community organizations, including City Slicker Farms, Revolution Foods, and the Stop the Injunction Coalition, set up tables with demos and info. There were clowns, a bouncy castle, masseurs complete with tables, and live performers. It was a festive, fresh event – the type of happening one almost never hears about in media representations of Oakland in general and West Oakland in particular.

Jumoke Hinton of People’s Grocery brought CRP founder Desi WOME to the front to say a few words to the crowd. After his benediction, Mike 360 blessed the crowd with his signature flute/beatbox. There was also a sadly poignant moment, illustrating the cycle of death and rebirth. As his family looked on, silent tribute was made in honor of Coty Luster, a neighborhood youth and Mother Wright's grandson,  who recently lost his life.

While the block party was happening, CRP was doing what CRP does best: painting a mural on the wall of the California Hotel Urban Farm, operated by People’s Grocery. CRP artists Release, Desi, Mike 360, Pancho Pescador, Tidus and Dora all collaborated on the done-in-a-day project. 

Appropriately, the mural depicts a pastoral garden scene, with a ladybug, an ear of corn, a rooster, a butterfly, a caterpillar, and a farmworker. Four colors—white, red, black, and yellow—comprise the farmworker’s aura, symbolizing the four types of corn, four nations, and also four directions. To the right of the farmworker, a butterfly begins to hatch from a cocoon, suggesting the metamorphosis of consciousness which begins with choosing sustainable, healthy food. Adding a point of emphasis, the words “food” and “sovereignty” are spoken by the ladybug and rooster, sending a message that taking control of one’s diet is an act of empowerment.

The CRP crew, which also included Director of Communications Eric Arnold and Communications intern Kimberly Kim, was treated to homemade tamales wrapped in banana leaves and an incredible meal of black-eyed peas, rice, and mango salad by People’s Grocery cooks. During a break in the mural creation process, we wandered over to a nearby yard, where we were serenaded by a spirited version of “Summertime” sung by an African American elder, accompanied by a wheelchair-bound electric guitarist. Returning to the mural location, Dora, with her and 360’s son Mixtli in tow, added an Azteka glyph to “seal” the deal.

The mural completed, there was just one more task to accomplish: to present an RIP tribute to Coty Luster, which Desi had painted, to his family. The piece was presented, blessings were said, and yet another CRP community partnership collaboration was history. Big ups to Nikki, Max, and Jumoke at People’s Grocery for inviting CRP to be a part of this project. And to the people of West Oakland, and Chestnut Green Corridor residents, this one’s for you!  

CRP Rocks Seattle, Chicago and Oakland in One Week

CRP Rocks Seattle, Chicago and Oakland in One Week!

The production of new work by the Community Rejuvenation Project jumped last week as collective members painted numerous new works around the country. In Oakland, Pancho Pescador and Mike Threesixty added several new pieces to the front of Golden Gate Liquors and finished the production of the Pedal Power to the People project. The reflective mirror at the front of the store became the "O" in an "Ozelotl" tribute to Mike Threesixty's son rocking a landscape still with a crane walking in it. Down the block, Pancho added some Hummingbirds and the two collaborated on a cheetah who states "Migration is Natural" and "Save Wirikuta," a reference to the holy lands of the Huichol people, represented in the piece by their sacred peyote sacrament. 

 

Release PYC and Beats 737 continued their hard-hitting work by creating a second massive "Decolonize" wall in Seattle. Images included were a large bear and Release's trademark sacred geometry. Release has been supporting the occupy movement and painting murals in Seattle for the past several months incorporating CRP's trademark connection between ancient symbols and modern culture. 

Desi W.O.M.E took Chicago by storm, blasting three large scale unreadable masterpieces around the city including at the historical Mobil wall in Hyde Park, Chicago's longest continuously running free wall that he founded exactly 20 years ago. Desi also rocked his largest piece ever, a 50 ft "Heart" in South Chicago as part of a collaboration with Raven and JInx. When he wasn't painting letters, Desi rendered a colorful Bruce Lee at Alternatives on Chicago's North Side as part of the Connect Force's Aerosol Writing month. Desi and Raven painted another mural with students from North Lawndale High School including several african images and Frederick Douglass.

CRP Demands Justice for Trayvon and Shaima

Photos by Desi W.O.M.E, Eric Arnold, and Meghan Pergrem

The murders of Trayvon Martin and Shaima Alawadi have capped a recent spate of attacks on unarmed people of color which also include Rahmarlee Graham, who was unarmed when shot by police in his own home, and Kenneth Chamberlain, who was shot in his home by police responding to a medical call. Trayvon's murder has sparked massive outrage due to the Stanford (Fla.) police's unwillingness to arrest his admitted shooter, George Zimmerman. Shaima Alawadi was a mother of five children, murdered with a note beside her accusing her of being a terrorist simply for being Iraqi. No one in any of these cases has been charged with a crime. 

Community Rejuvenation Project artist Miss Ammo took the initiative to call for and create a mural that addressed these issues. She called in CRP Founder Desi W.O.M.E to collaborate on a piece that went up this past Sunday, April 1, at the former site of the Parkway Theater, in Oakland's Funktown Arts District. The new mural--which has received hundreds of likes, shares and retweets in social media spheres in just over 24 hours--demands justice for the victims and an end to the fear-mongering prevalent in America that pushes both its citizens and law enforcement officers to attack and kill unarmed civilians for everyday acts of wearing hoodies or hijabs, or eating skittles. The attacks on Martin and Alawadi have been only the most widely reported of numerous recent incidents that connect to a long pattern of racially motivated killings that date back to the founding of the United States. The latest mural connects to previous CRP pieces at the same location through the message at the top of the wall: "Spiritual Release." CRP believes that being in touch with one's spirituality can present a solution to crimes of hate and ignorance.

Bike Bingo Night for CRP Mural Series on San Pablo!

The community turned out last night for a raucous night of Bikes and Bingo as a Benefit for CRP's San Pablo Cultural Corridor project. Actual Cafe was packed with avid bingo players competing for a wide selection of prizes ranging from vegan donuts to CRP posters to free dental cleanings. Transcendentist, the event's sponsor, brought its entire office and filled its booth with bingo cards that spilled out onto the chairs around them. Participants took turns pedaling a bike to stir the bingo balls while Steffy Sue and Actual Cafe owner, Sal called out numbers and hosted the event. CRP artists Pancho Pescador and Desi W.O.M.E brought more color to the event by painting new works that were auctioned off at the end of the night. Richmond Spokes organized a ride all the way from MacDonald Ave to the event rolling in with Urban Tilth and Zap Inc. The San Pablo Avenue Golden Gate Improvement Association (SPAGGIA), who invited CRP to transform their area, estimates the event raised over $500 for the first mural, which will be painted next weekend at Golden Gate Liquors on 60th and San Pablo.

Blight Reduction in Oakland: Holistic Approach Should Include Community-Based Solutions

Despite the notice, the city hasn't gotten the message. Photo by Eric Arnold. More Photos at www.CRPBayArea.org

Blight is a major problem in urban environments like Oakland. Homes and lots which fall into disrepair, either from neglect or as a result of foreclosures, can become defenseless targets for vandalism, squatting, and dumping. This can lead directly to drug dealing, prostitution and violence. Blighted areas negatively impact property values and lower the self-esteem of community residents. Blight in and of itself is bad enough. But longstanding problems surrounding the city’s much-maligned Building Services department—which include a noncompetitive bidding process for city contracts, exorbitant fees charged to property owners, and little to no community oversight or involvement in the process—only make matters worse.

Holistic Clean-Up should include new art as well. Photo by Eric Arnold. More Photos at www.CRPBayArea.org A recent grand jury investigation of Building Services has spurred Oakland City Administrator Deanna Santana to convene a task force to outline recommended reforms, which city officials promise will result in a more “holistic” approach.

This lot remained a dumping ground for at least two years despite notices from the city. Photo by Eric Arnold. More Photos at www.CRPBayArea.org

The Community Rejuvenation Project commends the city of Oakland for stating its intent to reform the beleaguered department. However, it is questionable whether any bureaucratic institution can effectively institute a holistic approach without considerable input from community organizations and cultural practitioners. The appearance of unattractive tags on poorly-maintained, vacant or foreclosed buildings is a gateway to more serious forms of blight. Graffiti abatement, therefore, should be seen as a preventative measure and the first step in a blight reduction strategy. However, the city of Oakland’s current abatement process is flawed. The strategy of hiring clean-up crews to buff, or paint over tags, is more band-aid than permanent fix; it is only a matter of time before the tags return -- requiring additional labor and expense.

Community murals are far more effective deterrents to recurring vandalism. Photo by Eric Arnold. More Photos at www.CRPBayArea.org

There are other, less costly, alternatives. Over the past five years, CRP and its community partners have successfully transformed numerous blighted neighborhoods throughout Oakland into vibrant mural districts at a fraction of the cost the city has paid for abatement. In that time, we have developed techniques and practices for maximum visual and cultural impact, cost-effectiveness, sustainability, and community engagement, which could easily be implemented on a larger scale throughout the city. A truly holistic approach to blight reduction would entail more permanent, economically efficient solutions, combined with youth development, education, and antiviolence programs, while incorporating eco-sustainable, community-oriented components.

CRP incorporates community clean-up with murals to transform the most blighted areas of Oakland. Photo by ARISE students. More Photos at www.CRPBayArea.org

CRP incorporates local heroine Mother Wright with a raised bed garden at the California Hotel in a collaboration with People's Grocery. Photo by Eric Arnold. More Photos at www.CRPBayArea.org For instance, a team of muralists instructing youth from the community to create murals in the city’s most blighted neighborhoods would cost a fraction of the $100,000s to millions of dollars spent on the current abatement process annually. Under a year-round program, murals could be constantly created and maintained in the areas of greatest blight. Funding could be divided between Building Services, DPW, and the Cultural Arts Commission’s cultural fund; data collected onsite could be correlated and shared between these city agencies to allow for maximum efficiency of the mural program over time. This strategy could be reinforced by a program which allows community members and groups to adopt high-blight commercial properties and volunteer upkeep in the same way that medians, garbage cans, and highway sections are maintained, meeting local community needs and enhancing the quality of life by creating public art or garden spaces. Under this model, residents or community groups who adopt the property would be responsible for the costs of creating the art and maintaining it.

Engaging the youth is critical in transforming blighted communities and making lasting change. Here CRP artists collaborate with students from Youth Radio. Photo by Desi W.O.M.E. More Photos at www.CRPBayArea.org This strategy represents a truly holistic approach to blight reduction because it: employs local artists and youth; creates an alternative to simple abatement; promotes a sense of environmental responsibility and accountability within the local community by making them stakeholders in the neighborhood. For blight reforms to be truly effective, practices must result in actual change in the way things are done. We strongly urge the City Administrator and the blight task force to consider a comprehensive abatement and reduction strategy which could serve as the first line of defense in Oakland’s ongoing battle against blight—while promoting long-term, sustainable, community-based, affordable solutions.

A powerful mural makes a lasting difference. Photo by Desi W.O.M.E. More Photos at www.CRPBayArea.org

For more information about CRP, interviews with CRP artists, or sample images for media usage, contact Desi at CRPBayArea@gmail.com or (510) 269-7840.

Community Rejuvenation Project’s Latest Mural Urges Commuters, Consumers to “Decolonize”

Community Rejuvenation Project’s Latest Mural Urges Commuters, Consumers to “Decolonize”



For Immediate Release: March 7, 2012

(Oakland, CA) -- As we enter the third month of the year, the Community Rejuvenation Project has rolled out another monumental mural. Located at the intersection of East 12th St. and 16th Ave. in East Oakland -- a highly visible location facing both the BART tracks and the 880 freeway -- a massive "Decolonize" message greets thousands of commuters daily.

The 30’ x 200’ mural-- painted over the course of 2 and ½ days by CRP artists Mike 360, Raven, Release, Beats 737, Desi, Rate, Abacus, Pancho, Yesenia, and Dora--suggests a return to traditional values and ancient wisdom.“Decolonize is a universal message to all people of the earth to reconnect to their ancestry, the earth, to their traditional medicines and knowledge, and to a global consciousness that we are all related,” explained CRP guest artist Lavie Raven. “Everyone on the planet has indigenous roots to somewhere.”

At the wall’s right hand-corner, Mazatzin Aztekayokalli, a local elder, is shown standing in front of an accurately depicted Tonalmachiotl, the sacred Mexica sunstone sometimes referred to as the Aztec Calendar. The sunstone symbolizes how understanding ancestral culture and knowing one's place in the space-time continuum of the universe is an important aspect of decolonization.

The wall’s left-hand corner depicts Huitzilopochtli, an Aztec solar deity and the patron saint of the ancient city of Tenochtitlan, in hummingbird form. Huitzilopochtli represents the light’s constant struggle to overcome darkness, which remains a relevant theme, especially in this day and age.

In the center of the painting is a picture of Mixtli, the newborn son of CRP members Mike 360 and Dora Chavarria. Mixtli is depicted emerging from the cosmic womb with an outstretched arm in front of a bright star, symbolizing the galactic equinox, an event which occurs precisely every 26,000 years. This represents the hope of new life as well as the eternal renewal of the celestial cycle.

On either side of Mixtli, elaborate calligraphic letters spell out the phrases “One Heart” and “One Mind” – reminders that we must be unified in our struggles if we hope to succeed.

Other imagery includes corn and sunflowers-- references to native plants targeted for genocide along with indigenous people by colonial settlers and the U.S. and Spanish governments; peyote, a hallucinogenic plant used in traditional shamanic ceremonies as medicine, representing the need for spiritual healing as part of the decolonization process; and the Andes mountains, considered to be the sacred home of the gods.

“Decolonize” also represents CRP’s commentary on the Occupy Oakland movement, and a reminder that indigenous communities of color already inhabited native lands before colonizers, settlers and tourists arrived. In October 2011, the Occupy movement began its encampment in Oscar Grant /Frank Ogawa plaza by asking the blessing of local indigenous elders. This was an appropriate first step. Yet since then, however, the indigenous community and communities of color have repeatedly voiced concerns around exclusion, despite the fact that these communities were affected by economic woes, underemployment, and bank foreclosures long before the recession hit the white middle-class. Many in these communities also objected to the name “Occupy” – a term inherently identified with colonialism and the colonial mentality. Yet a proposal to rename the movement “Decolonize Oakland” was voted down by the General Assembly.

It is perhaps no coincidence, then, that since its failure to uphold the heartfelt message of communities of color—that decolonization should be the goal of the people’s uprising – the Occupy movement has become unfocused and is lacking in direction.

“With the ‘Decolonize’ message, CRP is taking a stand to address the larger social, economic and environmental justice issues that are faced in the communities that we work in,” CRP Founder Desi W.O.M.E said. “We maintain that forward progress is not possible without a connection to indigenous roots and a greater awareness of nature. This mural, like others we have done, is beautiful to look at. But we also want it to make you think. This piece of art will be viewed by thousands of commuters daily. If just one of them stops to think about what the mural is really saying, even for a moment, then CRP has done its job.”

For more information about CRP, interviews with CRP artists, or sample images for media usage, contact Desi at CRPBayArea@gmail.com or (510) 269-7840.

All readers are invited to celebrate the Mexica New Year with Mazatzin Aztekayokalli this Sunday beginning at Noon at CCSF Mission Campus 1125 Valencia St. San Pancho, Califaztlan. For more info: lizadoc@yahoo.com, zemazatzin@hotmail.com, (415)756-5589

Healing Song Slideshow

Here are some additional photos from the Healing Song mural at 30th and West. These photos were taken by Anthony Pearce, Pancho Pescador, Eric Arnold, Desi W.O.M.E and Mike Threesixty.

New Video and Slideshow of the "Heart and Mind" mural with ARISE High School Students

CRP Teams with People’s Grocery for MLK Day of Service

CRP Teams with People’s Grocery for MLK Day of Service

As part of an ongoing partnership between People's Grocery and the Community Rejuvenation Project, CRP artists Mike Threesixty and Desi W.O.M.E were commissioned to create four new portraits at the People's Garden at California Hotel, as part of their MLK Day of Service. Before starting the project, CRP asked the People’s Grocery who they would like to see painted; the answers were civil rights and social justice heroes Dr. King, Mother Wright, Harriet Tubman, and Huey Newton. So we painted these icons in one afternoon, on MLK Day. Each portrait was accompanied by a quote from the honored leader painted on the street side of a planter's box placed in front of each piece. The planters’ boxes were color-coordinated with the portraits, each with a different combination of hues.

As CRP founder Desi W.O.M.E. said, “It was a real honor to be asked to do this project. Paying tribute to the ideals of Dr. King and the other inspirational legends and also building community in a very real way. People from the neighborhood instantly recognized Mother Wright, and engaged us in dialogue about the history of the Black Panthers and things like that. It was a good feeling, to know that we could engage the local residents like that.”

The portrait project was part of the garden's expansion onto the sidewalk, which also included the installation of four planter boxes, seating, and permanent chess boards for the community to gather around. The goal of the project is to increase local participation in the area and reduce the blight at 35th St. and Chestnut, which has been a frequent target for dumping and littering. As CRP were painting, People’s Grocery staff and volunteers unloaded truckloads of soil into the planter boxes. With both groups endeavoring in their labors at the same time, the sense of solidarity became evident.

CRP's paintings were so well-received that they have already been commissioned by People's Grocery for another two portraits. The project will proceed down Chestnut until the end of the block and continue down the street in the future. We are super excited to be a part of the ongoing transformation of West Oakland and to work with community organizations like People’s Grocery.